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Past Events - 2008
Colours
An introspective into memory and place. Paintings and digital prints from Sophie Fisher and Leanne Dollin. Further information about Sophie & Leanne will be available soon.
Sophie E. Robertson Fisher - Biography
Born Glasgow 1984
Brought up in the Highlands. Studied with Eleanor White on her portfolio course here in Ullapool. Returned to Glasgow in 2001 to study Fine Art at the Glasgow School of Art. Currently in her Honours year in the Painting and Printmaking Department.
"I use colour, texture and pattern to compose works in mixed media"
Previous Exhibitions
2003 Group Exhibition, Kelvingrove Art Gallery
2004 Group Exhibition, The Newbury Gallery
2006 Group Exhibition, The Newbury Gallery
2007 Group Exhibition, The Newbury Gallery
Leanne Dollin BA(Hons) Fine Art - Biography
Leanne Dollin, mother of two beautiful girls, graduate of the Glasgow School of Art, born in Glasgow in March 1980.
"I grew up in the south side of Glasgow, where I lived until I met my fiancé and we moved to the north east of Glasgow. I have never lived anywhere else but Glasgow. I have two beautiful girls who I am extremely proud of."
"I use colour, texture and pattern to compose works in mixed media.
I graduated with honours from the Glasgow School of Art in June 2007.
I enjoyed my time at Art School, and thanks to them, I was able to be a part of a multi-cultural environment in which to learn. I would love to teach others art in the hope that I could inspire others to become passionate about the arts.
I work both with paint and with digital photography and printing, although recently I have been focussing on the latter.
My work looks at the way I question my memories of my own childhood, and the way I look at my daughters' childhood and I wonder how will they see their memories?
Do we remember as the camera shows it? Our memories can seem quite grainy, at times, is the picture ever truly clear? With digital technology advancing as it is, can the photographs we see change the way we remember?
Photographs from the past are grainy, is this why we remember things in our minds eye as being grainy? Will we now have clear crisp memories?
Are our memories simply made up stories to go with images captured in a fraction of a second by a camera?"
Previous Exhibitions
2004 2nd Year Painting/Printmaking Exhibition, The Newbury Gallery
2005 3rd Year Painting/Printmaking Exhibition, The Newbury Gallery
2007 RSA Student Exhibition, The Royal Scottish Academy (Edinburgh)
2007 Print Matters, The Glasgow Print Studio
Jim Shears - Biography
Based at Auchtermuchty's Old Iron Works on Station Road for the past five years, Jim Shears creates organic forms in metal which transform and enhance their environment.
Jim discusses commissions at length with the client to develop inspiration around a concept in harmony of expression.
Jim has participated in Open Studios Fife for three years where he demonstrates forge skills live amongst fellow artists and visitors. Primarily working on a commission basis Jim, a history graduate of the University of Glasgow, utilises traditional blacksmith methods taught to him by Roddy McKerracher.
Jim specialises in stairwells, railings and gates and has recently developed a range of embellishments and elegant bedsteads for Luiginos Restaurant and Hotel in Falkland. Previous commissions include planets and atom installations at Swanshurst School grounds in Birmingham. Jim has also created a trophy and weathervane for Ashfield Cricket Club. Fire guards, wellheads and geometric installations in contrast to demons, memorials and abstract sculpture reveal that Jim is a man who will yet produce diverse explorations in the metal medium.
In future Jim aspires to create further abstract works and collaborative projects with fellow artists in mixed media. He is always happy to receive visits from artists and interested visitors at his workshop.
Jim Brammah - Biography
Jym Brammah was born in the shadow of Mount Kinabalu on the island of Borneo but grew up on the edge of the Peak District in West Yorkshire. After secondary school in Wakefield he spent a foundation year at the Batley School of Art and Design, where he first started to work with clay. This continued in the next three years at Edinburgh College of Art, which provided the opportunity both to learn more about the processes and to develop a very personal philosophy of ceramic art and his own relationship to the material. Since then, apart from a 1-year 'sabbatical' working with the pebble-mosaic artist Joel Baker, he has been based at the Make studios in Gateside, Fife, which he shares with other ceramic and glass artists.
Jym Brammah has a highly individual approach to ceramic art, firmly rooted in his appreciation of nature, geology and the inherent characteristics of clay. He writes about his development as an artist…….
"As a child growing up in the Peak District, I was surrounded by the harsh, but often magical, landscape that typifies the region - large swathes of farmed moorland interspersed with occasional conifer plantations; valleys carved out of the quartz-rich sandstone, broken up by irregular dry-stone walls; and hills topped by brooding peat bogs, where only the most resilient moss and grasses grow
In my secondary school, I found an affinity with art and its' subversive attitudes, admiring, in particular, the work of Egon Schiele, Anselm Kiefer and Francis Bacon; but it wasn't until my foundation course in Batley that I experienced three dimensional approaches to art and discovered clay, the material that seemed to come most naturally to me. I experimented with slab-building, the ceramic equivalent of deconstructivist architecture, but a chance comment from a tutor left me feeling frustrated at the safe, structured approach, and fuelled a desire to take more risks.
It was the shift to the convivial setting of the ECA Ceramics Department, which helped things to fall into place. In the initial throwing classes, I took the tools normally reserved for turning leather-hard clay, and began to carve into these soft, perfect clay forms, destroying the balance of interior and exterior. From this point onwards, everything suddenly began to flow. I discovered the large sculptural work of Peter Voulkos who began challenging the traditional notion of ceramics back in the 1950's. This led me to physically embrace the material, grappling with rough spinning mounds of clay - filled with coarse grog - which would leave me both physically and mentally exhausted. The wheel - despite being a machine designed to pull structure out of the clay - liberated my creative approach, allowing me to develop work quickly and spontaneously, and prompting me to challenge conventional approaches to the subject.
But eventually, I saw that the potter's wheel was limiting the scale of my work. This coincided with the realization that the elements of my work which excited me were inherent traits of the clay substance, characteristics that spanned the full breadth of the material: from wet slip; to soft clay; to leather-hard clay; to molten clay; and finally to the fired ceramic. I switched from throwing to press-moulding, and focussed on bringing forth the primordial nature of clay. Most of my inspiration comes from direct interaction with the clay, but beyond that, I look to the geological formations and processes, which are naturally echoed in the material.
I never utilise glaze, because I make no distinction between form and surface, and I strive to reveal clay in all its naked glory rather than embellish it with decoration. I celebrate its solidity, appreciating that the physical presence of my work is matched by its physical bulk."
At some point in the future, Jym hopes to spend some time over in Japan which has a rich history of ceramics, and where a number of its contemporary practitioners share an aesthetic sensibility that he readily identifies with.
Duality
LOCAL ARTIST EXHIBITS IN ULLAPOOL'S NEW VISUAL ARTS CENTRE
Painting1
Painting2
Sculpture1
Sculpture2
Local artist Susan Brown is making the most of the opportunities offered by an talla solais the new Visual Arts Centre in Ullapool. Susan rents one of the individual studios and has now agreed to show her work in the gallery space, with her exhibition Duality opening on Sunday 3rd August.
'This is an exhibition of painting and sculpture, based on the duality of existence. The work is based on the balance created by the natural creation of opposites. Inside/outside, light/dark, black/white, everyone lives somewhere on the sliding scale that happens between them. The meeting of the two sides is the critical point, the point of changeover between one and the other.
Much of the paintings are involved with the existence of the space within the mind and the space in reality. The images of real life are transferred into mind space, where they can interact with thoughts and the memory.
The sculptures use solidity and space to portray the point where both mind and real space meet. The point where thoughts become conversation and reality becomes memory.
The exhibition aims at the minds and thoughts of those viewing the work. To visualise their own mental images in relation to their own reality'
Susan Brown
The exhibition will run for 2 weeks and is open daily 2 -5pm. Entry is free. Access to the arts centre is beside Lochbroom Leisure Centre from Quay Street, whilst building works take place in Market Street.
CARGO1
CARGO1 will set sail this summer; a sailing, touring exhibition to travel the west coast of Scotland.
An exhibition of portable works by
Charlotte Watters / Veronica Lussier / Andrea Roe / Dalziel + Scullion / Kenny Hunter / Ilana Halperin / Jessica Lloyd Jones / Catriona Murray
'CARGO' is a project which aims to exhibit and develop travelling contemporary exhibitions and artists' opportunities by boat. The first aspect will be launched this summer with CARGO1. This is to be an exhibition of the work of 8 contemporary artists which will be exhibited on the west coast of Scotland at various locations.
This exhibition will be transported by boat, and exhibited at locations and venues on land. Some of these will be pre-arranged, and others will be impromptu events, when situations allow. All of the details and information about locations, times and dates will accompany the travelling exhibition on the website www.cargo1.co.uk
The vessel which is to be used for this maiden exhibition is the 1926 wooden Bermudan Cutter: 'Maureen'. The work will be housed and transported in boxes aboard the boat, and unpacked and hung/set-up in the various venues along the way. There will be links between the work, in the different gallery/showing spaces, and the boat, perhaps with the boat at local piers with additional works visible.
CARGO1 is being launched with a preview on Friday the 25th of July, with the first exhibition of the tour, in an talla solais, Ullapool Visual Arts, Market Street Ullapool. During the day of 25th July, and weather permitting, it is intended that Maureen will be at the slipway by the Loch Broom Sailing Club, Ullapool, so that the public can come and see the vessel which will transport the CARGO
CARGO1 is sponsored by ECA edinburgh art college and The Hope Scott Trust, Promoting Music and the Visual Arts in Scotland.
The exhibition in an talla solais will run from the 26th of July till the 1st of August from 2 - 5 daily
Graduate Exhibition 2008 at an talla solais
Ruth Stockl, costume graduate from Edinburgh College of Art Alasdair Boyce, illustration graduate from Duncan of Jordanstone College of Art
Sat12th - Sun 20th July, 2-5pm every day, admission free
For new access, follow signs from Loch Broom Leisure Centre
In Response
There will be an opportunity to make your own response to the poetry of Les Murray
Poetry and Print-making Workshop
Held at an talla solais
Saturday 5th July
10.00 am - 4.00 pm
No experience necessary.
Cost: £10 (covers materials, tea/coffee and cakes, but bring your own lunch)
Maximum 10 places.
Pre-booking, along with payment, by Monday 30th June.
Tutor: Jan Kilpatrick
WILD WEST WAVE, Ullapool Primary School pupils at an talla
WILD WEST WAVE
is a recent workshop
with Ullapool Primary School Pupils
led by Mandy Henderson
using discarded plastic
to produce a massive mural.
Come and see the result
in an talla solais,
Market Street, Ullapool,
on Monday 2nd,Tuesday 3rd and
Wednesday 4th June, 2pm - 5pm
entry by side door and follow arrow.
Funded by
Ullapool Teachers Council and
Ullapool Primary School
and hosted by
an talla solais
Admission free,
contributions gratefully received.
In Response
at an talla solais, Ullapool Visual Arts.
Thursday 12 June - Sunday 6th July, open daily 2pm- 5pm.
Ullapool is about to receive a visit from one of the most prestigious literary figures in world poetry.
Les Murray, the internationally renowned Australian poet, is to give a reading on Wednesday, June 11th at 7.00 pm in The MacPhail Centre in Ullapool.
He has published numerous collections of award-winning poetry, including verse novels, along with prose works of memoir and criticism. Among the many literary awards he has received are the Grace Leven Prize, the Petrarch Prize and the prestigious TS Eliot Award for his collection Subhuman Redneck Poems. In 1999, he was awarded the Queen's Gold Medal for Poetry.
The huge richness of linguistic invention, of ideas and of stylistic diversity in Les Murray's poetry has been celebrated by many writers on many continents. Blake Morrison has described him as 'one of the finest poets writing in English today, one of the superleague which includes Seamus Heaney, Derek Walcott and Joseph Brodsky.' David Malouf considers him 'perhaps the most naturally gifted poet of his generation.'
Although he has visited Scotland before, this will be his first visit to the Highlands. Murray, who grew up on a dairy farm in Bunyah on the coast of New South Wales, is of Scottish descent and often depicts the ways in which the Scots and Gaelic people, culture and attitudes adapted to the Australian landscape and society. He portrays rural working life, family and 'clan' or ancestry, and complicated questions of national identity. In Australia, he is a powerful advocate for Aboriginal culture and its struggle for survival under the power and dominance of colonial imperialism. All these ideas will find an echo in the historical attitudes to and development of the Gaelic language and culture in the Highlands. However, Murray's range is vast and not to be encompassed by any brief outline. He is a poet of truly international significance and importance.
Les Murray's presence in Ullapool is also being celebrated by a specially created exhibition of art works in response to his poetry. A wide range of contemporary artists have been invited to submit works to the exhibition which will be held in the an talla solais arts centre in Market Street in Ullapool to coincide with Les Murray's visit.
Les Murray's visit is sponsored by The MacPhail Centre, an talla solais, Ullapool Book Festival and Bridgehouse Art.
an talla solais' first exhibition of the 2008 summer programme, In Response, is a visual response to the poetry of Les Murray. Les Murray, the internationally renowned Australian poet, is making his first visit to the Highlands to give a reading in Ullapool. This event is also hosted by an talla solais.
The eight artists contributing to In Response were chosen for their strong feeling for poetry, some of whom have a particular connection with the work of Les Murray. The artists are:
Jacqueline Watt
Jonathan Brown
Kenneth le Riche
Daniel Reeves
Dalziel + Scullion
Eleanor White
Donald and Lindsay Blair
Donald Urquhart
The exhibition is to open with the private viewing on Wednesday 11 June at 8.30pm at an talla solais, Market Street, Ullapool , IV26 2XE to co-incide with the Les Murray reading in Ullapool. The exhibition opening will immediately follow the reading which is taking place at 7pm, at the Macphail Theatre, Mill Street, Ullapool, IV26 2UN. The theatre is five minutes walk from an talla solais, the exhibition venue.
Please contact Lindsay Blair for further details and/or a jpeg at: lindsayblair@btinternet.com or t: 01854 655215; m: 07720709307
LES MURRAY TO VISIT ULLAPOOL
Bridge House Art Portfolio Class, the 1st visual arts users of the new building
'As we write this all of us Portfolio Preparation students are mounting up work ready for our exhibition, and for our Art School applications.
We started at the end of November just four of us full-timers, joined on certain days by Spencer and Jenny from Gairloch High and Alice and Rosie from Ullapool. The normal 7 week first half of the course had had to be shrunk to only 3 and so we did an extremely concentrated pre Christmas stint, finishing with a life drawing week. Our stalwart models Pat and Cathy sat for us in the wintry conditions of the old building.
When we started again in the New Year, Georgia, Frances and Jane joined us. The old 'an talla solais' building, now demonstrably on its last legs, was a cold and damp setting for a week spent printing, which we all enjoyed very much, although swathed in blankets. The walls were too wet by this time to put the finished work up. We then spent another week life painting, using oils this time, a new experience for most of us.
The life week was the final section of the taught part of the course and for the past 5 weeks we have been working on our personal projects.
We also moved buildings! This was comparatively easy as we benefited from the hard work of the 'an talla solais' volunteers. So we're now in two rooms instead of one and are comfortably warm and dry.
We've all got an enormous amount from the course, and it's all due to Eleanor's boundless energy and huge skill in teaching. We are all soon to go off in our various directions, but we'll never forget 'an talla solais'.'
Pamela Granville.
Bridge House Art Portfolio Class 2007-2008 at ats
The work in this show is now being packed up and sent off to various art schools and colleges as application and selection, begin in March..
Our school pupils from Ullapool, Gairloch, Golspie, Kinlochbervie and Granton-on-Spey, are very fortunate to have the experience of an excellent mini college course, tutored by Eleanor White and other local specialists from the area. They can enjoy the experience of being out of school and embarking on the adult world, while also having the security of a home from home, under Eleanor's care. Bridge House Art has a particularly good record of successful applicants gaining place to all scottish colleges.
Ullapool benefits greatly in many ways from this facility created by Bridge House Art. Not only are we allowed to see the results in a very interesting final show, but many of the students come from elsewhere, to live in Ullapool during the two terms. This brings good business to the village, in terms of accommodation requirements, as well as the students using restaurants, shops, and leisure facilities, all at a time of year that is normally very quiet for those involved in the business of tourism. We will welcome Bridge House Art to an talla solais, for any course Eleanor wants to run here, if the premises are available
The display of the resulting work from Bridge House Portfolio Course, was our first exhibition in the new building. 103 people attended the opening on the first evening The show ran for a week and was tremendously successful in terms of looking stunning and drawing a record number of visitors in the short time it was available.
It was a lovely show, spread over 3 rooms and a hallway, the large working studio being converted quickly with its second coat of paint, to become a gallery room.
It is interesting that all the extra space we have acquired, has been put to use at once and while not overflowing yet, we have certainly found a need for all the rooms. It was good too, to see work displayed in different spaces, and while the beautiful height and light of the old library building are no longer available to us, there are compensations in having the variety of spaces as well as more of them.
Bridge House Art Portfolio Exhibition 2007-2008 at ats
We were very pleased to be asked to be hosts to a contingent of Japanese visitors from the Island of Hokkaido in northern Japan. The group came over to Scotland to study an area which had undergone regeneration and Ullapool was chosen as a good example. Hokkaido had gone though a period of dispersal of population from the rural areas to the major cities, and these visitors looked to Ullapool to see how this village had grown and prospered in recent times.
Lindsay Campbell brought the visitors to us as an example of successful enterprise. It was very rewarding that the visitors stayed for a couple of hours, looking over our current exhibition, being shown the individual studios by the artists who are working there, and then having a sit down talk with all the committee members who were present. We were videoed during all of this visit, and strangely, it was not art all disconcerting! We remembered to photograph our guests just as they were leaving!! It was especially rewarding that the professors chose to become members of our association and they will be sent our Newsletter by email. We understand that the group went on after lunch at the Ceilidh Place to visit other Ullapool successes in the village.
Japanese Visitors, Professors Wahei Ishi, Tsukasa Uchida, Yoshihero Kubota from Sapporo Gakuin University in Hokkaido and Lindsay Campbell (centre) from Highland and Islands Enterprise, visit us feb 08
Professors Wahei Ishi, Tsukasa Uchida and Yoshihero Kubota
an talla solais will host a small series of hand-building ceramics night classes on the 11th and 18th March which will culminate in a day's Raku firing on the 29th led by Allison Weightman.
'It is hoped, that with enough interest, this will become a regular occurrence with specialists in all aspects of the subject offering their skills to the Community.
an talla solais has recognised the demise of the subject from Art colleges across Britain and especially in Scotland. In the past 12 years Aberdeen, Dundee and Edinburgh Art colleges have all closed their departments leaving Glasgow as the last college to offer a degree course. It has been reported that Glasgow are now considering closing their department also. The reason being that there are not enough applicants for the course.
In some ways it is hard to believe this as my experience of being in the last year of the Edinburgh College of Art course (which was their biggest year group in some time) The atmosphere amongst students was that of 'great loss'. I wonder on reflection of the experience whether the problem lies in the first year (perhaps there is not enough encouragement to take up the subject) and/or whether the cost of running a Ceramic department has a huge influence on whether the subject should remain in Art Schools.
Maybe my opinions are somewhat biased…I am passionate about clay.
This medium is valuable and it is a sad day that people will not be able to study the subject at the high levels of skill and technique that Art Colleges provide.
an talla solais has committed itself to designating 2 rooms in their new building to ceramics (and glass working) , one of which will house the kilns. This facility will be an asset not only to ATS and Ullapool, but also to the wider community, offering specialist courses and potentially the hire of the facility to potters who want to come and work for short spells in the Highlands.
We do not believe that Ceramics deserve the same fate as the dinosaurs!!! '
Learn the skills of Handbuilding Ceramics and Raku Firing.
Tuesday 11th March 7pm-9.30pm
Tuesday 18th March 7pm-9.30pm
Raku firing day of work Saturday 29th March 10am-4pm
£35 for full course, plus materials used.
Please call Allison on 0154 655310 or mobile 07767447446
for further information and enrolment.
Over the last few years, I have run a number of textile-based workshops in the old library. However, the opening of the new facilities at an talla solais gives me the exciting opportunity to run a much wider variety of courses in Ullapool.
The 22nd and 23rd March is a weekend devoted to learning which materials and techniques are suitable for creating Outdoor Mosaics. It involves the finer skills of cutting mirror and sheet glass and breaking and shaping crockery as well as the more humble skill of mixing cement! Participants will make a decorated stepping stone using the reverse method, decorate a 3D object and turn old roof slates into garden wall plaques. This workshop is the perfect way to recycle treasured china that has got chipped or broken, so start collecting now!
Words from the Woods (23rd - 25th May) will be a very different experience and is one of a group of three unusual events intended to cross the division between creating visual images and creating with words. This first weekend involves walking in the woods, some time for contemplation and writing, some paper-making and print-making - all of which will give you the materials you need to make a hand-bound journal recording your experiences. This will be a gentle weekend allowing you to re-connect with the natural world, so why not take some time out and join us? There will be a similar weekend on 8th-10th August, called See Sound, Seashore, should the theme of the sea be more to your liking.
I will, of course, still be running some textile courses. The enthusiasm shown by Ullapool residents for recycling waste makes an talla solais the perfect venue for a new course, Rags to Riches (28th July - 1st August). This will be five days of recycling paper, wrappers, and textile rags into beautiful and useful objects, such as cushions, rugs, notebooks, bags, hats… I'm sure you get the picture! A bit later in the year, I will be running the ever-popular Textile Illuminations (6th-10th October), during which participants take plain white cloths and by dyeing, printing, layering, embroidering and embellishing them, produce complex pieces of textile art worthy of display on a wall, but not too proud to be made into more functional items such as cushions, book covers and bags, should that be your inclination!
If you would like more information about any of these events, or would like to book a place, please contact me by telephone (01854 666279) or e-mail: jan@wildtiles.co.uk. A full description of all the events can be found at www.wildtiles.co.uk or by following the link from the Events page of www.antallasolais.org.
One of Jan's Mosaic Classes being held in Kinlochbervie
Individual Studios
I have been enjoying using one of the studio spaces at an talla solais.
It is great to get the chance to have a room just for art rather than trying to work in my tiny flat.
To be able to leave things as they are for a day or two rather than having to tidy things away all the time is better.
The old surgery itself is starting to be re-invented as a place of creation instead of sickness.
I am glad to be here in the studio, having a place to explore my ideas and making them visual.
Susan Brown
Short Term Let Studio
I was delighted when I heard that the 'new' an talla solais had set aside a small studio for short term let (STL studio) at an affordable price.
Jennifer Morrison in the short term let studio
What a great time we had. In December 07 I had attended a weekend workshop called 'Making Paper' using recycled materials. There Viv Halcrow, Jenny Neal and myself met for the first time. We had so much fun learning this new skill that when the STL studio became available we booked it for two days (extended to three). Our intention was to progress and master the art of paper making. How naive we were.
Remembering, collecting and bringing all the materials and tools required was a learning process in itself - the list was immense. Naturally we forgot some of the most essential items but, as I live nearby, all was not lost. Amid much laughter, bantering and exchanging of usefull advice we got our act together and 'made paper'.
It was great to have the use of the STL studio. They say that 'two heads are better than one' well, three are even better. We had great fun helping one another and, although the art has not been mastered, the end products were not too bad.
Our thanks to Jan Kilpatrick for doing such a great job of introducing us to the art of 'paper making' and giving us the bug. Thanks also to Barbara Peffers for welcoming our ideas for the new studio.
Now What Next - Book the studio for - more paper making, batik, painting, felt making .................... ? The list is endless.